“Archaic Torso Of Apollo,” Rainer Maria Rilke

We cannot know his legendary head
with eyes like ripening fruit. And yet his torso
is still suffused with brilliance from inside,
like a lamp, in which his gaze, now turned to low,

gleams in all its power. Otherwise
the curved breast could not dazzle you so, nor could
a smile run through the placid hips and thighs
to that dark center where procreation flared.

Otherwise this stone would seem defaced
beneath the translucent cascade of the shoulders
and would not glisten like a wild beast’s fur:

would not, from all the borders of itself,
burst like a star: for here there is no place
that does not see you. You must change your life.

(Trans. by Stephen Mitchell)

listentodelion:

Spiritualized - Ladies and Gentlemen We Are Floating in Space

NPR

2012

Thee Oh Sees - “The Dream”
Live on KEXP

miamou:

Albert Renger Patzsch

miamou:

Albert Renger Patzsch


Amanda and her cousin Amy Valdese by Mary Ellen MarkNorth Carolina, USA, 1990 In 1990, Peter Howe at Life magazine sent me to North Carolina to photograph a special school for children with problems. The school was a very strange place because all of the twenty or so children were in the same classroom and their problems ranged from mild behavior instability to severe schizophrenia.Nine-year-old Amanda was the most interesting child in the class. She was my favorite child. Amanda was very intelligent and very naughty. One day I followed her home on the school bus. When the bus stopped at her house, she dashed ahead of me and ran into a nearby wooded area. I continued to follow her into the woods and eventually found her sitting in an old stuffed chair having a cigarette. She thought that I would reprimand her since I was an adult. But I said nothing.The following Sunday, I spent the day at home with Amanda and her mother. Amanda totally controlled her mother. She constantly gave her orders and proceeded to put on her mother’s nail polish and makeup. Amanda smoked openly in front of her. Her 8-year-old cousin Amy was coming over, and she was very excited. All day long, Amanda and her cousin played like children. Every forty-five minutes or so, Amanda would take a break to have a cigarette. Her mother could say nothing; Amanda was the boss.Just before I left, I looked for Amanda to say good-bye. I found her and Amy in the backyard. They were in a children’s inflatable pool. Amanda was taking her regular cigarette break.

Amanda and her cousin Amy Valdese by Mary Ellen Mark
North Carolina, USA, 1990

In 1990, Peter Howe at Life magazine sent me to North Carolina to photograph a special school for children with problems. The school was a very strange place because all of the twenty or so children were in the same classroom and their problems ranged from mild behavior instability to severe schizophrenia.

Nine-year-old Amanda was the most interesting child in the class. She was my favorite child. Amanda was very intelligent and very naughty. One day I followed her home on the school bus. When the bus stopped at her house, she dashed ahead of me and ran into a nearby wooded area. I continued to follow her into the woods and eventually found her sitting in an old stuffed chair having a cigarette. She thought that I would reprimand her since I was an adult. But I said nothing.

The following Sunday, I spent the day at home with Amanda and her mother. Amanda totally controlled her mother. She constantly gave her orders and proceeded to put on her mother’s nail polish and makeup. Amanda smoked openly in front of her. Her 8-year-old cousin Amy was coming over, and she was very excited. All day long, Amanda and her cousin played like children. Every forty-five minutes or so, Amanda would take a break to have a cigarette. Her mother could say nothing; Amanda was the boss.

Just before I left, I looked for Amanda to say good-bye. I found her and Amy in the backyard. They were in a children’s inflatable pool. Amanda was taking her regular cigarette break.

(Source: tamburina)

laurahines:

Finished!Humboldt Squid - Pen and Ink 

laurahines:

Finished!

Humboldt Squid - Pen and Ink 

[Flash 9 is required to listen to audio.]  

lucidityy:

Balance by Future Islands

sexyhotmilfs:

have u ever cried bees

sexyhotmilfs:

have u ever cried bees

(Source: holyfriend)

[Flash 9 is required to listen to audio.]  

somehillbilly:

The Drive-By Truckers, “Carl Perkins’ Cadillac” (2004).

Dammit, Elvis!

In the mirror now, unmistakably, he existed! The disappointed, abandoned youth of a few moments ago was nowhere to be seen. Here was only strong, beautiful muscle, the proof of its existence clear. For what he now beheld was something he had created himself; moreover it was himself.
[Flash 9 is required to listen to audio.]  Download

casino-queen:

“La Cienega Just Smiled” by Ryan Adams

cavetocanvas:

Alexander Rodchenko, Pine Trees in Pushkin Park, 1927
From the Heilbrunn Timeline of Art History:

Avant-garde photographers generally were not much interested in landscape, a genre associated with pastoral and sublime notions. Rodchenko characteristically found the natural setting of his country house accidental and unorganized: “A bush here, a tree there, a gully, nettles.” There seemed nothing to make a photograph from, he wrote, until he looked up to see the trees towering above him “like telephone poles.” His raking shot from below proposes vertigo instead of a sylvan calm, a dynamic alternative to the traditional horizons of the landscape view.

cavetocanvas:

Alexander Rodchenko, Pine Trees in Pushkin Park, 1927

From the Heilbrunn Timeline of Art History:

Avant-garde photographers generally were not much interested in landscape, a genre associated with pastoral and sublime notions. Rodchenko characteristically found the natural setting of his country house accidental and unorganized: “A bush here, a tree there, a gully, nettles.” There seemed nothing to make a photograph from, he wrote, until he looked up to see the trees towering above him “like telephone poles.” His raking shot from below proposes vertigo instead of a sylvan calm, a dynamic alternative to the traditional horizons of the landscape view.